(Source: spells-of-life)

And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
I felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.

Pablo Neruda (via man-of-prose)

(Source: death-camp-for-cutie)

(Source: creepitrealandstayspooky)

(Source: fragmentallygirl)

missvoodoodoll:

Duomo of Pisa, Italy Photographer: Cintia Soto

missvoodoodoll:

Duomo of Pisa, Italy Photographer: Cintia Soto


The cellist by Zoe Sahol

The cellist by Zoe Sahol

(Source: artizan3)

(Source: son-of-the-hell)

(Source: perfumeandmiasma)

But I think it’s very healthy to spend time alone. You need to know how to be alone and not be defined by another person.

Olivia Wilde (via purplebuddhaproject)

hullodearie:

Fake Pockets: A How To

mortisia:

Let’s learn together about Edgar Allan Poe and his work. 29

A Descent into the Maelström is an 1841 short story by Edgar Allan Poe. In the tale, a man recounts how he survived a shipwreck and a whirlpool. It has been grouped with Poe’s tales of ratiocination and also labeled an early form of science fiction. 

Edit by me | Please dont remove anything | For more here 

Inspired by the Moskstraumen, it is couched as a story within a story, a tale told at the summit of a mountain climb in Lofoten, Norway. The story is told by an old man who reveals that he only appears old —”You suppose me a very old man,” he says, “but I am not. It took less than a single day to change these hairs from a jetty black to white, to weaken my limbs, and to unstring my nerves.” The narrator, convinced by the power of the whirlpools he sees in the ocean beyond, is then told of the “old” man’s fishing trip with his two brothers a few years ago. Driven by “the most terrible hurricane that ever came out of the heavens”, their ship was caught in the vortex. One brother was pulled into the waves; the other was driven mad by the horror of the spectacle, and drowned as the ship was pulled under. At first the narrator only saw hideous terror in the spectacle. In a moment of revelation, he saw that the Maelström is a beautiful and awesome creation. Observing how objects around him were pulled into it, he deduced that “the larger the bodies, the more rapid their descent” and that spherical-shaped objects were pulled in the fastest. Unlike his brother, he abandoned ship and held on to a cylindrical barrel until he was saved several hours later. The old man tells the story to the narrator without any hope that the narrator will believe it.